There’s a difference between drinking and tasting. If you take one thing away from this feature let it be this: you don’t need to formally ‘taste’ a whisky to enjoy it. Drinking with friends, enjoying cocktails, just chatting over a whisky – these are all more than valid. And they certainly don’t involve analysing what a whisky looks, smells and tastes like. If you never get out a pen and paper to ‘taste’ an expression in your life, you’re no less of a whisky drinker.That said, it can be incredibly fun to taste whiskies. To get stuck into what it delivers, from first glimpse to final sip. Tasting is often useful when working out your aroma and flavour preferences. And it certainly has a role when describing what a whisky is like to others. So if you do want to learn to taste, or hone your palate, here are some handy tips.

The Tasting Order
Convention suggests that you look at the whisky’s appearance first, followed by the nose. Appearance is simply what the whisky looks like, while the ‘nose’ describes what the whisky smells like. For appearance, it’s about describing the colour and how intense it is, for example, light copper. Don’t overthink it!
When it comes to the nose, think about how ‘pronounced’ it is (how loudly it’s ‘shouting’) as well as actual aroma descriptors. Write it all down!
Once you’ve spent some time on the nose, move onto the palate – or what the whisky tastes like. Take small sips, and don’t be afraid to spit! Again, consider the intensity and how pronounced it is. Think about texture too. How the whisky feels in your mouth is just as important as those individual tasting notes.
When you’ve swallowed the whisky (or used a spittoon) the last thing to muse over is the finish. This means the impression that the whisky leaves. Is it short, medium or long? What flavours are left lingering? The key here is to only talk about the positive elements that linger. If something is a hot, burning mess, it doesn’t matter how long the finish is. It’s not going to be a good whisky.
Some people like to write an overall impression of the whisky across appearance, nose, palate and finish. This is especially useful if you’re tasting to keep track of your whiskies, or if you’re working out your preferences.
Just remember – if your tasting notes will be used by other people, try and stick to describing the whisky using universally understood terms. While it might be evocative for you, no-one else knows what your Grandma Betty’s high-days-and-holidays perfume smelled like.

Appearance Doesn't Matter
You read that right. Despite what we’re taught, and what brands would have us think, the colour of a whisky is (almost always) irrelevant. Why? Because many distilleries add e150a, or caramel colour, to their whiskies. This is supposed to be for consistency, so that the bottlings always look the same batch-to-batch. Unless a label says ‘natural colour’, you’ve got no guarantee that your whisky is that hue.
Is that important? Not really. Some whisky purists prefer natural colour whiskies, and it does speak to a certain authenticity of the product. But a whisky’s colour has absolutely no bearing on its quality, or what it looks or smells like. So don’t get stuck on it.

The Quality Question
Tasting is really helpful when you’re working out just how good a whisky is. Think about whether there’s complexity across the nose, palate and finish. Is there lots going on, or is it a relatively simple story? Does everything feel coherent, or is something a bit spiky?Just because something is complex, doesn't mean it’s automatically good. In the same way, a simple whisky might not be bad! The most important thing really is balance. How harmonious is it? Does anything stick out too much? This is what to think about when working out if something is good, very good, or exceptional.
FOUR WHISKIES TO HONE THE PALATE
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Whisky escocés de grano único RyeLaw Fife 46,3%
£106.95
View product →RyeLaw is no regular rye whisky. For starters, it's made in Scotland! Secondly, it's bursting with all manner of toasted oak, hedgerow berry and menthol notes. If you really want to wake up your palate, compare a rye like this one with a single malt – the different characteristics of the grain raw materials will be really apparent.
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Ardnahoe Infinite Loch
£58.00
View product →Islay's newest whiskymaker Ardnahoe is the perfect starting point if you want to explore the smoky notes that come with peated whisky. Sea spray and dark chocolate notes shine through alongside the evocative bonfire embers. Peated whiskies offer so much more than just smoke!
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Barril único de Buffalo Trace Milroy
£39.95
View product →Our very own barrel pick all the way from Kentucky! Buffalo Trace is a bourbon icon, and this sumptuously spiced yet effortlessly smooth bottling proves that point flawlessly. It's a great whiskey to nose and taste if you want to get to know the complexities on offer from corn-forward expressions.
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Tomatin 8 Year Old 2015 Finn Thomson
£67.00
View product →Casks contribute a huge amount when it comes to flavour – and if you want to get exploring the influence of red wine casks, this Tomatin bottling from Finn Thomson is a wonderful place to start. Expect loads of sweet spices alongside jammy hedgerow berries. Just delightful.

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